Stephen King : King and faith.
Re: King and faith.
Listen to them—the children of the night. What music they make!
The Gospel of Stephen King
By John Blake, CNN
(CNN) - When the horror novelist Stephen King was once asked why he wrote such gross stories, he said he did it because he had the heart of a small boy - which he kept in a jar on his desk.
With his beady eyes and I-just-killed-the-cat grin, King looks and sounds like a horror novelist. But when the Rev. Paul F.M. Zahl read several of King’s novels, he learned something new about the author: There’s a lot of faith behind his fright.
Zahl says some of the most stirring affirmations of Christian faith can be found in the chilling stories of King. The horror master has been preaching sermons to millions of readers for years, only most of King’s fans don’t know it, he says.
“People tend to think that Stephen King is anti-religious because he is a horror writer, but that’s completely mistaken,” says Zahl, a retired Episcopal priest who has written about King’s religious sensibility for Christianity Today magazine. “Several of his books are parables of grace in action.”
Want to read a powerful meditation on Jesus’ sacrificial love? Check out how King links the death of the mammoth death row inmate John Coffey (note the initials, J.C.) to Jesus’ crucifixion in “The Green Mile.” King’s “Storm of the Century” is a creepy retelling of Jesus’ eerie encounter with the demon called “Legion” in the Gospel of Mark’s fifth chapter. And King’s epic apocalyptic novel, “The Stand,” reads like a contemporary retelling of the Book of Revelation, with a little Exodus thrown in, Zahl says.
Zahl’s claim about King's faith may sound ludicrous. King, who just released his latest novel, “The Wind Through the Keyhole,” has written at least 50 horror novels such as “Carrie” and “Misery.”
Yet there is an actual body of literature devoted to King’s religious sensibility. Several pastors and authors say King displays a sophisticated grasp of theology in his books, and his stories are stuffed with biblical references 1ebc and story lines taken straight from the Bible.
“If God brought lawsuits, Stephen King would face a charge of plagiarism,” says J.M. Rawbone, an English horror novelist who has written an essay about the Christian themes in “The Stand.”
King, whose publicist did not answer a request for an interview, has talked about his faith before. He describes himself as a Christian on his website and elsewhere has said he was raised as a “hard-nosed” Methodist taught to believe in the Antichrist.
Some of his literary influences are Christian authors. In one interview, King said he was shaped by C.S. Lewis, author of “The Chronicles of Narnia,” and J.R.R. Tolkien, author of “The Lord of the Rings.” Both Lewis and Tolkien were devout Christians who layered their fiction with Christian themes.
“I’ve always tried to contrast that bright, white light of real goodness or Godliness against evil,” he said in a 1988 interview. “I’m not a proselytizer, and I hate organized religion. I think it’s one of the roots of real evil that’s in the world. If you really unmask Satan, you’ll probably find that he’s wearing a turnaround collar.”
The best way, though, to understand King’s faith is not through his words, but through his stories. There are at least three biblical themes that run through them.
A child shall lead them
Every horror writer seems to write a vampire story eventually, and King is no exception. “Salem’s Lot” is one of King’s most popular novels. It depicts a vampire’s attempt to colonize a modern-day New England town.
Traditional vampire stories are loaded with Christian symbolism, but King inserts another biblical theme into “Salem’s Lot” that would reoccur in many of his books.
It comes in a scene showing a standoff between a priest and vampire. Father Callahan tries to protect a teenage boy with him by brandishing a cross. The vampire dares the priest to toss the cross away and face him on faith alone.
Father Callahan hesitates, his faith long diluted by alcohol and skepticism. The vampire wrenches the cross from the priest’s hands, while the boy escapes and becomes one of the vampire’s most formidable enemies.
When the Rev. David Squyres read this passage from “Salem’s Lot,” one of Jesus’ most popular sayings flashed before him: “… Unless you change and become like little children, you will never enter the kingdom of heaven.”
In the moral universe of King, children get God better than the adults, Squyres says.
“The vampire humiliates the priest because the priest doesn’t have real faith, but the kid has real faith,” says Squyres, pastor of the Palms Baptist Church near Palm Springs, California.
“The priest represents the Pharisees. They believe in relics. But the children, and the teenager, have a simple faith. They don’t put their trust in institutions. They trust in the Lord,” says Squyres, who has written about King’s Christian sensibility at his website, "talkstephenking."
Many of King’s most popular novels are filled with young heroines driven by faith. It’s a reflection of a famous passage from the Book of Isaiah in the Old Testament: “And a little child shall lead them.”
In “The Talisman” and “It,” King features adolescent heroes who risk their lives battling evil, according to Marylaine Block, who wrote about King’s religious sensibility in an essay called "Something Wicked This Way Comes."
“In both novels, the adults are incapable of understanding the evil that is about to envelop and destroy their world. They see the signs, but choose not to understand them. Only the children know what is happening, and know that it is up to them to save the people they care about,” she wrote.
God can be cruel
King’s most explicit Christian novel is “Desperation,” which features another adolescent hero driven by faith. The boy, David, is converted by a miracle and prays to God for help. King depicts his faith without irony and with reverence.
“Desperation,” though, contains an unusual description of God that reveals some heavy theology from King, several pastors say. During the bloody climax of the story, a character tells the boy that God is “cruel.”
That line caught the attention of Zahl, the Episcopal priest. It speaks to what he calls “the answerable sovereignty of God.”
Zahl says King is depicting a side of God that’s woven into the Bible. It is not the God whose eye is on the sparrow, but the Holy Other, incomprehensible, the one who allowed Job to suffer.
It’s the same side of God that the narrator in “The Green Mile” reflects on when he reminisces about the death of the innocent John Coffey, the Christ-like figure who never hurt anyone, but perished while a villainous guard lived on.
Zahl points to this passage from ”The Green Mile”:
“Yet this same God sacrificed John Coffey, who tried only to do good in his blind way, as savagely as an Old Testament prophet ever sacrificed a defenseless lamb. ... If it happens, God lets it happen, and when we say, ‘I don’t understand,’ God replies, ‘I don’t care.’ ”
Zahl says King can say things about God in books that pastors can’t say in the pulpit. In King’s novels, people often suffer while doing good.
“Americans generally want to hear that everything is really terrific all the time,” Zahl says. “Americans want to control and manage everything, and they’re eager for anything that pumps them up. When you preach a message from the Bible that life is much more difficult, and there’s a huge amount of suffering, those messages don’t always go down well.”
'God chose the weak things'
As a teenager, King used to collect scrapbooks filled with newspaper clippings detailing the crimes of serial killers, says Stanley Wiater, co-author of “The Complete Stephen King Universe: A Guide to the Worlds of Stephen King.”
King's mother grew so concerned that one day she asked him why he kept the scrapbook.
Wiater says King answered with: “I think there’s evil out there. I want to know what it is, so when it comes, I can recognize it and get out of the way.”
In King’s books, characters can’t avoid evil. They have to confront it, but they often don’t fit the conventional definition of heroes.
“The Stand,” another explicitly Christian novel, illustrates this pattern. A plague has wiped out mankind, and a group of unarmed survivors are dispatched via a vision from God to confront a satanic figure called the Darkman.
The group seems to have no chance. One is an elderly, genial professor; another a deaf mute, and a third figure is a genial man with the mental capacity of a child. Against them: the Darkman’s ruthless army, which literally crucified its foes.
The makeup of the group underscores another popular religious theme in King’s work that’s reflected in this line from the apostle Paul in the first Book of Corinthians: “God chose the weak things of the world to shame the strong.”
Zahl, the Episcopal priest, says so many heroes in King’s books are broken people: physically frail, alcoholic, disabled and lonely. Even the evil people are rendered with compassion.
“King understands grace at a deep level,” says Zahl, author of "Grace in Practice." “He typically concentrates on the marginalized and the outsiders who ultimately carry the day. God often does his work where people are the most messed up.”
King may have converted Zahl, but the priest and others admit th 2000 ere’s a risk invoking the horror novelist in the pulpit.
When Zahl mentions King in church, he says many listeners think first of books they want to keep away from teenagers.
Still, there are secret converts.
“Half of the other people in the congregation have read Stephen King, though they may not want to shout it out to the world,” he says. “They know what I’m talking about. They come up later and they say I’m really thrilled that you know about him.”
The doubters shouldn’t be surprised that King’s stories contain religious themes, says Rawbone, the English horror novelist and author of "Bunker."
The Bible is filled with terror: demons, ghosts, floods wiping out mankind and the rising of the dead.
“Good horror examines the struggle between good and evil,” he says. “The Bible is the history of that struggle.
“The Bible is in many ways the ultimate horror novel.”
Listen to them—the children of the night. What music they make!
Re: King and faith.
Apparently, when King and Kubrick were discussing The Shining King told Kubrick he believed in Hell and Kubrick was disappointed in him for that.
King and faith.
I was sure he hated faith and that's why he so often includes some raving lunatic, psychopath religious nut in every other story. I'm kind of shocked he went the other way this time.
Was ist der Sinn des Lebens?