Seinfeld : Really terrible writing in The Wig Master

The scene where George is trying to find out if they are using his car for Prostitution, right when he gives the prostitute money for some information, out of nowhere Susan shows up to catch him in the act of doing so. Which is just terrible writing via being so contrived. Just lazy creative writing as far as the plot.

Then, why the hell was Susan there? From what I can recall she had no business being there whatsoever, and yet not only is she there, but she is there at that exact moment to witness what looks like him patronizing a prostitute. Terrible writing.

The plot point of causing the predicable rift between Craig and Elaine was also terrible. Why would he lie about getting her a discount when she got together with him and gave him her phone number without him having to engage in such fraud? She clearly was already sexually attracted to him, so there was no reason for him to do that other than to use that as a reason for Elaine to break up with him so as to write that person off the show.


Another example of terrible writing comes into play at the end of that episode. At the exact movement Kramer is fighting with that prostitute, the Cop appears? Really? Again, lazy, contrived writing of the vein of Deus ex Machina.

Terrible writing in that episode all over the place.

We ask that you please bear with us.

"I am a reasonable guy. But, I've just experienced some very unreasonable things."

It's not like they're writing Trotsky's War: What Is It Good For?.

"Trotsky's."

"Tolstoy's."

"Mammal."

"Whatever."


They were pretty rough, but they had something.
What was it?
I think it was the trousers.

Easy there, big fella!

Mammal




"Get out here, son! There's a doin's a transpirin'!!"

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why the hell was Susan there?

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That's what I'd like to know about it.

I'm still wondering if Jerry took home the Wigmaster. They acted liked quite a loving couple when sharing champagne coolies!

Who wouldn't act like a loving couple when sharing champagne coolies? Who wouldn't love a couple acting like a loving couple when sharing champagne coolies?


They were pretty rough, but they had something.
What was it?
I think it was the trousers.

What writing? We're talking about a sitcom.

"You gotta punch the clock, why don't you punch your boss?"

@znep27

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What writing? We're talking about a sitcom.

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I wasn't going to say anything about the childish responses on my thread, since that seems to be all this board is capable of based on reconnaissance. But my goodness the above comment was extremely stupid. Even for this board filled with knuckleheads and idiots that just regurgitate lines from the show as responses.

Oh yeah? I'll tell you what's stupid. You. Stupid.

"You gotta punch the clock, why don't you punch your boss?"

He's the grease monkey!

"Over? Was it over when the Germans bombed Pearl Harbor?"
"Germans?" "Quiet.He's rolling."

It's funny because although Znep27's response was a quote it is the only reply in the thread that is the answer to your question. It's a sitcom!

Well if you can reconnaissance, why can't we deconnaissance???




"Get out here, son! There's a doin's a transpirin'!!"

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I wasn't going to say anything about the childish responses on my thread, since that seems to be all this board is capable of based on reconnaissance.

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How long have you been waiting to squeeze that into a conversation?

The good writing seems to have been misplaced.

When young, we mourn for one woman as we grow old, for women in general.

The Strongbox is worse in comparison, wherein half of that episode Kramer hides his key in a place where Jerry can easily find it. Both episodes are still funny, Wig Master more so than The Strongbox. That's the goal of a sitcom.


Why do they give out letter jackets to marching band? It's not a sport! We all know it!

Yeah, I usually skip The Wig Master. I really only like the part when Jerry tried to return a jacket out of spite. So cool that Dan Aykroyd made a guest appearance!

Was that Aykroyd? I thought it was Michael Nesmith!

I'm sorry, but spite is not a good reason for replying to this message board.

Ok, now let me ask you this. Would it have been better if it was "terrible WRITING in that episode all over the place"?? Or "terrible writing in THAT EPISODE all over the place"??? Should they have emphasized "writing" or "that episode?"




"Get out here, son! There's a doin's a transpirin'!!"

Yes. And why capitalize Prostitution? Is it really that important to you?!



Over? Was it over when the Germans bombed Pearl Harbor?
Germans?
Forget it. He's rolling.

That wasn't Susan, it was her evil twin sister 'Tiger'Lilly Ross the Prostitute.

there was a deleted scene about them going together I think.
Meaning she drove him there to get the car, and must have got tired of waiting, got out of the car

Okay, uh, look, if you want to just keep on doing the same old thing, then maybe this board isn't for you. I, for one, am not going to compromise my artistic integrity. And I'll tell you something else. This IS the board, threadwhatever.. and we're not going to change it. Right?

Over? Was it over when the Germans bombed Pearl Harbor?
Germans?
Forget it. He's rolling.

Yeah Susan showing up there is pretty contrived and stupid. I thought that on my original viewing of the episode. The cop appearing thoughI dunnoas an end of and episode moment, it works.

Oh ya, well the terrible writing store called AND THEY ARE ALL OUTTA YOU!

I can already hear the Wigmaster ask Jerry after a night of passion:

"How about a champagne coolie, cowboy?"

So if Jerry is the cowboy, which member of the Village People is the Wigmaster?


They were pretty rough, but they had something.
What was it?
I think it was the trousers.

agree

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.and then the bong hits him on the head and he falls RIGHT over the realitY